Ape's writing thread

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No poem yet. As I commented somewhere else, my poetic muse seems to have up and moved without leaving a forwarding address.

OTOH, I am making some progress on my first couple chapter stories. Might end up as novellas. Can't see myself shooting for a novel yet. One is the one I ranted about a couple posts up. I wrote a whole new first chapter, changed one character into two to avoid a relationship becoming slightly icky, and am rewriting the original second chapter to fit with the changes in the first before moving on. And, yes, I tied up the loose ends around the house.

The other is the long-gestating sequel to my fantasy story Night of the Wind. Basically a new adventure with the same setting and characters that focusses more on Niomi Shen, a priestess and "witch" who figured prominently in the first story but was not maybe the "lead". There's a hidden monster, mysteries about the temple she serves, and maybe some love in the air. Given the popularity of "romantasy" I am having a running debate with myself about whether to bring an element of that in.
 
Got my annual attempt at a Halloween story going and, for the second year in a row, it looks like there will be one. Different from last year's fairly dark Lovecraftian horror. This one has a lighter touch and, more important, a cat (black, of course).:cat: A witch is involved, too, which almost goes without saying. It'll be fairly short, maybe even a Flash (<=1000 words).
 
New competition is up on StoriesSpace. The theme is "Sound of Silence", not so much the song as the idea. here's the info from their forums. It's a Flash Fiction competition, so max 1000 words. Cash prizes are involved.


Of course, I have an idea in the works. Strangely, given the "Silence" part, it's about a metal singer. The protagonist draws on my love of female metalcore and death metal vocalists. See the metal thread to see who I might be talking about.
 
Write it down and see if it is listened TU! These things have to be sounded out in psyche ... and I'm told there is not such thing in virtue (that's reality) ... so it must be out there ... outlier, Black Swan? Autonomous ... can't be seen from where you're at ... its a hard grasp that stone grip ...

Carpe Diem ... fish delight ... it is there somewhere in de dark pool ... few grasp the other as a way out ... ET TU? Whose more insane me*is, or you-know-who?

Settles the debate on the Mau SIR! It projects ...
 
You know what's harder than writing? Editing. Especially to a tight limit. I'm working a flash-length (1000 words or less) story for a competition on StoriesSpace (see link below). After struggling to even get a draft going (yes, there's a certain delicious irony in fight through writer's block for a story about writer's block), I bashed out one that was almost 1500 words. Now I'm down 1117. But those last 117 words are going to be brutal. Just running out of redundant words, adverbs, and other easily cut items. It's like compressing a file but without the help of a nice, neat algorithm like Zip, to put it in terms of my day job. Still, I think I've got this. There's already seven entries in the comp, too, so it is going well.

 
Why attempt to be concise when you consider how eclectic the world is ... very scattered in reason ... abstractly splintered ...
 
It's a bit over 3 in 12pt Liberation Serif (default font in LibreOffice) :giggle: . I handwrote some longer stuff in my younger days when word processors weren't an option but none of my published works were written longhand. My fingers have arthritis so I doubt I could manage more than a poem that way nowadays.
 
Is there a main way you edit your babies?

When I wrote regularly, I would read it oot loud and I developed an ear for cutting oot the discordant bits...
 
Is there a main way you edit your babies?

When I wrote regularly, I would read it oot loud and I developed an ear for cutting oot the discordant bits...
That's one approach, for sure, and I do use it sometimes, esp. for dialogue-heavy stories (that was actually a theme for a comp last year, had to be 50+% dialogue). If your dialogue sounds clunky in your mouth, it probably sounds clunky in your character's mouth.

I also just do repeated passes, making sure everything makes sense. Not just style, spelling, and grammar (I'm kind of anal about those) but the story events and character actions. Sometimes I'll see a character acting out of character or a description that doesn't add up, that sort of thing, and have to rewrite a scene or paragraph. Repeating myself is another, e.g. using the same phrase to describe the character in multiple paragraphs. That might work in epic poetry rooted in oral culture (Homer is full of it) but not in modern prose.

The one good bit of advice I got from another writer on my writing sites is once I have a "final" (nothing is ever final with me) draft, put it aside for a day or two, then come back and read it again. If I have been hammering at the same story over and over, sometimes I miss stuff and that "simmering" lets me come back with fresh eyes and maybe see things I missed. That's where my new story is right now, simmering.
 
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