Random acts of music

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I have. It's a term used by bluegrass artists. David Rawlings (partner of Gillian Welch) used to joke that every set of bluegrass music had to contain X # of "murder ballads, train ballads", etc...

Here's my favourite murder ballad from them:

 
I like willie Nelson and the ballad of the Red Haired Stranger that shot a fair haired lass for trying to steal his past wife's horse … since she was dead to it …

Then it was said that god didn't make hon qui ton curse … wild Eros? Tis a mindless operation … to act as an icon of God as pure love … someone has to loose it!

There is was gone … and something left as a remnant ! Male Eve oh lance?
 
Currently have Vibrate : The Best of Rufus Wainwright playing on Hoopla. Most of tracks are his own songs but it also includes his lovely cover of Cohen's "Hallelujah". It took me a while to warm up to Rufus. His style of singing has always struck me as a bit forced or affected. However, I have become a confirmed fan, as I am of his mother (the late Kate McGarrigle) and sister (Martha Wainwright).

One of my favorite Rufus Wainwright originals is "Out of the Game":

 
Kurt Hugo Schneider is a multi-talented music machine. He produces, writes, arranges, and plays piano/keyboards. The one thing he does not do himself is sing (normally). However, he works with a great stable of indie singers to produce interesting, entertaining covers of both classic and contemporary songs. This singer is a new one on me but her voice is perfect for Kurt's new arrangement of the Cranberries' "Zombie" which has to be a daunting song for any female singer to take on.

 
Tiny Desk Concerts, produced by NPR, usually present performances by artists from a variety of popular music styles. Jazz, folk, pop, rock, hip hop, you name it. The artists range from new to obscure to big stars. However, last month, they did something they have never done before: featured a performance by the cast of a musical. The show was the Tony Award nominated (in multiple categories) The Band's Visit and it is narrated/hosted by David Yazbek, who wrote the music. He explains the background and story better than I can so listen on.


And, yes, the concerts take place in the office, not a studio, hence the title "Tiny Desk Concerts".
 
Take an old love song originally recorded by bluegrass singer-fiddler Alison Krauss. Add one of the sweetest and most talented couples on Youtube. You get this lovely, romantic musical moment:


And sometimes, stripping a song to its bare essentials really helps bring out the strength of the lyrics. Imaginary Future does that here with The Verve classic Bittersweet Symphony.

 
And for a change of tone, the powerful, almost operatic Evanescence. This is actually a fan video rather than an official one, but it is quite good and "End of the Dream", the song, gives us Amy Lee at full throttle. Gorgeous.

 
Okay, a bit of fun. Two married musical couples singing the same duet using roughly the same arrangement for the vocals though with different backing tracks.

First up is Peter & Evynne Hollens:


Then we have their good friends and frequent collaborators Hound + Fox.


Both well sung versions, but does anyone besides me have a preference? I will wait a bit to reveal mine in case others wish to chime in.
 
Take an old love song originally recorded by bluegrass singer-fiddler Alison Krauss. Add one of the sweetest and most talented couples on Youtube. You get this lovely, romantic musical moment:


Although Alison Krauses' version is my favourite, it was Keith Whitley who originally recorded it.
 
Okay, a bit of fun. Two married musical couples singing the same duet using roughly the same arrangement for the vocals though with different backing tracks.

First up is Peter & Evynne Hollens:


Then we have their good friends and frequent collaborators Hound + Fox.


Both well sung versions, but does anyone besides me have a preference? I will wait a bit to reveal mine in case others wish to chime in.
I'll choose the Fox and Hound, sounds more celtic and I like that.
 
Tiny Desk Concerts, produced by NPR, usually present performances by artists from a variety of popular music styles. Jazz, folk, pop, rock, hip hop, you name it. The artists range from new to obscure to big stars. However, last month, they did something they have never done before: featured a performance by the cast of a musical. The show was the Tony Award nominated (in multiple categories) The Band's Visit and it is narrated/hosted by David Yazbek, who wrote the music. He explains the background and story better than I can so listen on.


And, yes, the concerts take place in the office, not a studio, hence the title "Tiny Desk Concerts".
*jawdrop*
W O W

total whisk me away music
elevating
sublime

and Tony Shalhoub
..can't go wrong with him
alzo didn't know he could sing
 
i am a sucker 4 music with stories
(i miss theme albums)
i think i first hoid this one in 1996 while i was GMing for Changeling; helped put me inna mood
 
Where do light thoughts go when forgotten?

A quest regarding the abstract ... may generate IOns ... and sparks in time ... au tono Mous! De tuned in the fall ...
 
I'll choose the Fox and Hound, sounds more celtic and I like that.

I also prefer The Hound + The Fox (yes, that's their official name). Not just more Celtic, but I found both the singing and the video more appealing. They were together the whole time and seemed to be singing to each other rather than the audience. And based on other performances, I suspect that may be the case. They really seem to be a very close couple who take a lot of joy in singing together.
 
The original members of Lake Street Dive are big supporters of their alma mater, the New England Conservatory of Music. All four are graduates of NEC and it's where they began the band. Recently, they returned to NEC to perform some new and classic Lake Street Dive songs backed by various ensembles of current students. And NEC has been releasing them on their YouTube channel.




 
I know. I think I promised a page or two back to stop posting Lake Street Dive. But they are so damn good.

 
I currently have The Best of Buffy Sainte-Marie on Hoopla. It's a compilation of two earlier "Best Of" albums and basically covers material from the sixties and seventies. To be honest, I've never listened to Buffy much other than her eighties and later hits. It's odd because she hits a lot of my buttons (talented female singer-songwriter with a unique voice).

One of the tracks is her setting of Leonard Cohen's "God is Alive, Magic is Afoot", a chapter from the novel Beautiful Losers that ranks as some of Cohen's finest writing IMHO. Strangely, I have never listened to Sainte-Marie's version before. It's more a musical recitative than a song, but it capture the life and energy of the passage nicely.


There's also some familiar Sainte-Marie material like "Universal Soldier" and some less familiar (to me, perhaps not to those who followed her in the early days) songs as well. I find it interesting that she seemed to start out as a country artist, at least from the sound of some of the early songs, even though I've always encountered Buffy as more indigenous folk-pop. Besides her own material, there's a crackling, energetic cover of Mitchell's "The Circle Game" that, like "God is Alive", I've never come across before. I am glad I finally decided to delve a bit deeper into the catalogue of this indigenous Canadian music legend.


And I can't resist even though I sure I've posted this before. Some modern Buffy from her Polaris Prize winning "Power in the Blood". I love this song. It's one of those songs I crank up when it comes on the radio in the car. The combination of veteran Buffy with relative newcomer Tanya Tagaq seems to energize things in a marvellous way.

 
I currently have The Best of Buffy Sainte-Marie on Hoopla. It's a compilation of two earlier "Best Of" albums and basically covers material from the sixties and seventies. To be honest, I've never listened to Buffy much other than her eighties and later hits. It's odd because she hits a lot of my buttons (talented female singer-songwriter with a unique voice).

One of the tracks is her setting of Leonard Cohen's "God is Alive, Magic is Afoot", a chapter from the novel Beautiful Losers that ranks as some of Cohen's finest writing IMHO. Strangely, I have never listened to Sainte-Marie's version before. It's more a musical recitative than a song, but it capture the life and energy of the passage nicely.


There's also some familiar Sainte-Marie material like "Universal Soldier" and some less familiar (to me, perhaps not to those who followed her in the early days) songs as well. I find it interesting that she seemed to start out as a country artist, at least from the sound of some of the early songs, even though I've always encountered Buffy as more indigenous folk-pop. Besides her own material, there's a crackling, energetic cover of Mitchell's "The Circle Game" that, like "God is Alive", I've never come across before. I am glad I finally decided to delve a bit deeper into the catalogue of this indigenous Canadian music legend.


And I can't resist even though I sure I've posted this before. Some modern Buffy from her Polaris Prize winning "Power in the Blood". I love this song. It's one of those songs I crank up when it comes on the radio in the car. The combination of veteran Buffy with relative newcomer Tanya Tagaq seems to energize things in a marvellous way.

her music makes me think of music from an alien land designed for alien senses
totally iconoclastic
DIY
not comforting
shez a lucky artist
 
her music makes me think of music from an alien land designed for alien senses

Really? Perhaps her later material when she started incorporating indigenous musical ideas (e.g. Starwalker, You Got To Run) but her early material is fairly conventional, if very good, folk and country. Her voice is definitely unique and that shows right from the beginning.

If you want music from an alien land for alien senses, listen to Tanya Tagaq (the woman wearing glasses in You Got To Run). She crosses Inuit throat singing with avant-garde contemporary music. Now that's alien. Definitely took me a few listens to get into. She won the Polaris in 2014, the year before Buffy Sainte-Marie won, and her follow-up album was long-listed in 2016 so she's definitely a force to be reckoned with herself.
 
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