Been on vacation with no Internet so I did plenty of reading.
The Favorite Game, Leonard Cohen
Mentioned upthread I was finally reading Cohen's first novel (no idea why I have not read it before). I finished it on the trip. I wouldn't say it's his best work, but it's a solid story with some good characterization. As with its successor, Beautiful Losers, it's the writing that stands out. Perhaps not surprisingly for a novel about a Jewish poet from Montreal written by a Jewish poet from Montreal, it's quite poetic at times. The ending feels forced, as it basically explains the whole underlying premise of the novel in a couple paragraphs. Not really a strong way to end a story IMHO.
God Can't, Thomas Jay Oord
Okay, we have a whole thread on this so I'll limit my comments to saying that it's one of the best plain English intros to open/relational theology (which includes process) I've ever seen. Not much new to someone like me who has read about process before (I first encountered it 30+ years ago in an undergrad RS course on the relationship between science and religion taught at St. Paul's College in Waterloo) but a good intro to how process deals with the theological problems of evil and suffering. Oh, and if you read through the copious acknowledgements, you may note the name George Hermanson, who we knew as the user Panentheism on the original Wondercafe. See
@Pinga's book study thread if you want to learn more about the ideas presented by Oord.
Ancillary Justice, Ann Leckie
In a totally different vein, Ancillary Justice is space opera at its finest. Big setting (a huge interstellar empire called the Radch), big ideas, and a big story about a hidden conflict that could destroy an empire. It's the first in a trilogy that garnered a lot of attention when it came out a few years including, IIRC, some major awards. The plot is basically a conspiracy thriller but with transhumanism playing a major role. Even the protagonist is an AI that once controlled a troop carrier and all its troops but is now reduced to a single human body, the reason being a major part of the plot.