So, what are you listening to these days?

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Gil Scott Heron. Also, still nerding out on Ren. He’s got the stuff it takes to be a Bowie, or Prince. Just a love of music and innate gift and genre bending imagination that doesn’t come around a lot. I’ll make you a bet he’ll be legendary like Prince and Bowie! Once he has the budget for bigger production, I have no doubt. Even some of his low budget videos like The Tale of Jenny and Screech show how gifted he is. But when he gets there, he’ll still be Ren. Here he is showing off his singing skill in a live jam in a speaks-easy looking lounge - this one’s a cover mash-up. The back up singers compliment him perfectly. And he’s a handsome lad. Just sayin.

 
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If you haven’t seen it - this is the creative gift I’m talking about. Watch it to the end. It’s like a one person musical, shot by his friend. They utilize the natural acoustics. In 3 separate one-takes for each “tale” (Violet’s tale is the 3rd one). Subject matter is heavy and probably nsfw.

 
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From 2001 to 2005, Finnish musicians Marko Hietala and Tarja Turunen were bandmates in Nightwish. That ended when Tarja parted ways with the band and launched her solo career. Marko in turn left the band in early 2021, citing mental health and concerns about the state of the music industry. Last year they reunited for a performance of "Phantom of the Opera", a duet dating to their Nightwish days. Now they are touring Latin America together and performing more of their old Nightwish duets. And this morning saw the commercial studio release of the first new, original Marko-Tarja duet in almost 20 years. "Left on Mars" was written by Marko and his guitarist Tuomas Wainola and is more classic hard rock than the symphonic metal the duo were known for in Nightwish

 
Dianne, fullname Dianne van Giersbergen, is a classically trained soprano who has been part of the European metal scene since the early noughties as part of her own band Ex Libris and, from 2013-2017, the German symphonic metal band Xandria. She is now releasing solo singles, working (too slowly for some of us) towards an eventual solo album. This new track shows off her powerful operatic voice beautifully and also brings Dutch guitarist/producer/songwriter Arjen Lucassen on board for the guitar solo. Her producer and co-writer Joost van den Broek works with Arjen a lot and Dianne has occasionally as well so his presence is a delight, but no surprise.


And speaking of Arjen and Joost, they are part of Plan Nine, a project of Arjen and vocalist Robert Soeterboek. The two recorded a bunch of demos back in the nineties and a couple years ago finally decided to put together a band and get an album out. "The Long Lost Songs" is coming in May. For now, this is the latest single, which includes some great Hammond organ playing from Joost.

 
I've been listening to Eric Carmen this week due to his recent death. So in honour of a great singer and song writer here's one of his songs from 1972 with a band called the Raspberries.
RIP Eric Carmen

 
The above song was a sexy song about a women begging the guy to "go all the way"....some saw it as fairly risky in the day.
He will also be remembered for many songs such as Hungry Eyes; All By Myself; Make Me Lose Control; Never Gonna Fall In Love Again; and on and on.....
 
Mexican-born soprano Marcela Bovio is best known for metal and other rock genres. But she's also a solid classically-trained singer who make some interesting forays into the opera world. This is the second time she's posted a video of an aria by Purcell, the English baroque composer. This one come from his opera "Dido and Aeneas" adapted from Book 4 of Virgil's epic poem The Aeneid.

 
I posted the original video for this a while ago but this impassioned live performance of Laufey's "Goddess" is too good to pass up. It features Laufey herself on piano accompanied by a string quartet. This may be one of the best performances that I have heard from her.

 
Not a song, but kind of a neat video. Laufey made a post-Grammy triumphant return to her native Iceland for three concerts. And a vlogger entitled Public Opinion NYC tagged along to do a story on her. I was actually in that concert hall (not for a concert, just to oo and ah at the architecture) when I was in Reykjavik and I think one of the interviews takes place at or near a spot where I stood. The interview ends with her scurrying off to meet the President of Iceland (a ceremonial presidency, hence meeting the local girl who made good). Also kind of cool to hear her speaking her native tongue and confessing that it felt a bit odd since she usually uses English on stage.

 
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After her marvellous debut LP and film It's All True last year, Malinda is not taking a break. This is the first single from her next project and it's a beauty, showcasing her Irish influences with style.

 
I do cut thro' these as windfalls that come to my attention as trees of something or other that cannot be spoken of ... ineffable!

Zins or signs? Like pions, peons, paeans, etc. Prions are faults that we are born with in djinns ... medicine finds them mysterious even though they claim to know a great deal when they see it ... like a peacock strutting ... expect implications ... prosody is an intonation that may vary in cases ... human mostly!

Thus the critical nature of phonetic ... for hiding virtue from those that don't wish to know! Sacred matters ... anti matter as dark? Like hed*one*stick ... a pig on as qu*ewer in some myths ... there may be something profound to learn there ... a pain? Often over looked or over w' helmed ... bad steers in the mydst!
 
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Not too keen on the rap verses in this. i like REN’s rapping ability - usually it’s quite poetic - but these verses don’t seem to fit with the more mature tone of the rest of it. Overall it’s really good. I love retro soul music and Message in a Bottle is a great song that Ren does really well. He’s just beating the music industry at the game right now by self producing and keeping it simple. It works well - the live performance in a jazz club kind of setting. Low budget, and he knocks it out of the park. The backup singers are so elegant. It has great visual appeal. The base player looks like a bit of a poser in that outfit but I’ll forgive him. Ren pulls his look off. He doesn’t have to try to look cool, somehow, always (not a real fan of the Peaky Blinders high top haircut though tbh. I wish he’d grow it but it’s popular in the UK. His article is still great, I don’t care about his haircut in terms of what he does, whatsoever. But I can’t help but notice he’s handsome and I selfishly think a different haircut would look better on him. Bass player and Ren have good, symbiotic, timing regardless of their looks. Musically they’re excellent.

I feel like I can critique their deliberate choice of aesthetics because they are part of the performance and artistry. I’m not making fun of anything about looks that they have no control over. That kind of haircut (even though his is longer and combed forward) reminds me of not good things. But so can other military style fashion. It’s all in context. His is more subversive. He mixes it with a Billy idol style dangling earring (often a cross) and 30’s style trousers, dress shirt and suspenders, with goth/ punk/ hippie finger rings and whatever else he wants to wear…so it’s his own look. The other guy looks like he’s trying too hard with the black shades on though lol.

 
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This is amazing. He’s in Calgary for health treatment so I think that’s Drumheller AB. Again, simple and aesthetically great. It’s a beautiful piano instrumental Ren wrote.
 
After her marvellous debut LP and film It's All True last year, Malinda is not taking a break. This is the first single from her next project and it's a beauty, showcasing her Irish influences with style.

Remined me of Sarah McLaughlin
Not too keen on the rap verses in this. i like REN’s rapping ability - usually it’s quite poetic - but these verses don’t seem to fit with the more mature tone of the rest of it. Overall it’s really good. I love retro soul music and Message in a Bottle is a great song that Ren does really well. He’s just beating the music industry at the game right now by self producing and keeping it simple. It works well - the live performance in a jazz club kind of setting. Low budget, and he knocks it out of the park. The backup singers are so elegant. It has great visual appeal. The base player looks like a bit of a poser in that outfit but I’ll forgive him. Ren pulls his look off. He doesn’t have to try to look cool, somehow, always (not a real fan of the Peaky Blinders high top haircut though tbh. I wish he’d grow it but it’s popular in the UK. His article is still great, I don’t care about his haircut in terms of what he does, whatsoever. But I can’t help but notice he’s handsome and I selfishly think a different haircut would look better on him. Bass player and Ren have good, symbiotic, timing regardless of their looks. Musically they’re excellent.

I feel like I can critique their deliberate choice of aesthetics because they are part of the performance and artistry. I’m not making fun of anything about looks that they have no control over. That kind of haircut (even though his is longer and combed forward) reminds me of not good things. But so can other military style fashion. It’s all in context. His is more subversive. He mixes it with a Billy idol style dangling earring (often a cross) and 30’s style trousers, dress shirt and suspenders, with goth/ punk/ hippie finger rings and whatever else he wants to wear…so it’s his own look. The other guy looks like he’s trying too hard with the black shades on though lol.

*artistry not article … and why did I ramble about haircuts and fashion again? It’s the least of what strikes me about Ren. His musical talent floors me. He’s self taught, over his 34 yr lifetime.
 
and why did I ramble about haircuts and fashion again?
Fashion is part of an artist's image and style, I think. I tried not to talk much about Floor Jansen's style in the thread about her, but she definitely has one and it has evolved through her 25+ years in music. In fact, she uses a different look in her metal work with Nightwish and her non-metal solo work, so her style becomes kind of a shorthand for the musical difference between them.
 
I am torn these days about whether to post metal in this thread or the metal thread. I'm not sure people actually read that one. So I am putting this one here because, dang it, it deserves an audience.

"Valhalla Calling" by Miracle of Sound has been all the rage on Tiktok and Youtube for a while. And I quite love the song. Powerful stuff and it's basically Viking metal already, esp. in some of the cover versions. And then on Monday, YouTube notified me that German medieval power/folk metallers Feuerschwanz were putting out a cover. I have never mashed the "Notify Me" button so quickly. And I am not disappointed. Feuerschwanz's version is fantastic. Even Miracle of Sound himself posted a positive comment.


Even better, the band's next album, which includes this track, drops the day before my birthday. It's a celebration of Feuerschwanz's 20th anniversary called Warriors and from the three tracks released to date, it's going to be a beauty.

EDIT: By the way, Feuerschwanz is German for "Fire tail" which is a badass name for a metal band even in English.
 
Cool video. Since American rock/pop star Ben Folds took over programming contemporary material for the National Symphony in Washington, DC's Kennedy Center, he's pulled in some interesting artists. Latest to hit PBS Youtube channel is Laufey, dodie, and Jacob Collier. Laufey I've already raved about enough. dodie is a singer-songwriter and author in her late twenties. Jacob is a multitalented English musican noted for his work in using audiences as a choir (demonstrated in the latter part of the first video). Here, all three team up with the NSO for the Scottish folk song "Wild Mountain Thyme".


And Laufey is no stranger to performing her music with orchestral backing. Her first live album featured the Iceland Symphony as her "backup band" and she has also recorded with the LA Philharmonic and The Philarmonia Orchestra. So, naturally, her appearance at the NSO includes one of her hits with the orchestra as backup.


Finally, Jacob and dodie with a performance of "Summer Rain"

 
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